Found 18 Orange Products.
Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.
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Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.
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Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.
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Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.
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Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.
Get Price
Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.
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One of the reasons of the Cokin success story is that Cokin is permanently in close contact with both professional and amateur photographers and videographers, so as to listen to their ideas and precise needs. The products launched by Cokin are therefore always perfectly adapted to real needs.
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Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.
Get Price
Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.
Get Price
Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.
Get Price