Create dramatic sky effects, emphasizing cloud contrast for landscapes with Red 25. Simulate a moonlit scene at midday with slight underexposure. Use with infrared film to yield extreme contrast with skies, turn foliage white and cut through fog and haze.
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Create dramatic sky effects, emphasizing cloud contrast for landscapes with Red 25. Simulate a moonlit scene at midday with slight underexposure. Use with infrared film to yield extreme contrast with skies, turn foliage white and cut through fog and haze.
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A green filter, such as Green 11, can be used to lighten green foliage, to show more detail. It may also be used to provide more pleasing skin tones outdoors, especially against blue sky.
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Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."A more "correct" cloud presence is obtained through the use of a yellow filter, such as a Yellow 8, which can absorb blue light, darkening the sky to more closely match what the eye would see. The Yellow 8 also acts as a general compensator for most subjects, giving a tonal rendition similar to that of the eye.
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Create dramatic sky effects, emphasizing cloud contrast for landscapes with Red 25. Simulate a moonlit scene at midday with slight underexposure. Use with infrared film to yield extreme contrast with skies, turn foliage white and cut through fog and haze.
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Create dramatic sky effects, emphasizing cloud contrast for landscapes with Red 25. Simulate a moonlit scene at midday with slight underexposure. Use with infrared film to yield extreme contrast with skies, turn foliage white and cut through fog and haze.
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Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."The Yellow 15 enhances landscapes, marine scenes and aerial photography with more dramatic effects than Yellow 8.
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Red 29 is an excellent copying filter for blueprints. It is used in scientific photography. Use with Polarizer for dramatic b&w effects.
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Create dramatic sky effects, emphasizing cloud contrast for landscapes with Red 25. Simulate a moonlit scene at midday with slight underexposure. Use with infrared film to yield extreme contrast with skies, turn foliage white and cut through fog and haze.
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The Blue 47 is a dark blue filter that accentuates haze and fog. It can be used for dye transfer and contrast effects. Although originally intended for use with black and white film, this filter can also be used as a creative tool in color photography.
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